Louis Weisdorf's Turbo Pendant was designed in 1965, but first put into production in 1967 and has achieved great success over the years. It illustrates design at its best: it is simple in form, yet complex in structure and combines a sense of airiness and strength in a beautiful sculptural whole.
The inspiration for the lamp is the lightness of the Japanese rice paper transformed into a more durable and sturdy version. The outer curve of the lamp is made of twelve similar spiral lamellae, that form a flower-like globe that shields the light. The Turbo Pendant is a perfect example of Weisdorf's passion for multiply repeating elements that he used for most of his works.
In his own words, the studio of Architect Louis Weisdorf (born 1939) "specializes in versatility". This, quite perfectly, sums up the long and notable career of this multi-designer. Since graduating from the Royal Danish Academy of Fine Arts' School of Architecture in 1954, Weisdorf has worked with everything from graphic-, interior- and industrial design, to the planning of parks and recreational areas as well as most fields within the building trade. This adds to an impressive résumé of notable projects, which includes working with icons such as Verner Panton, Poul Henningsen and Le Klint.